Chris Bryant

Incidentally, I see that the former shadow Secretary of State is here, the right hon. Member for Daventry (Stuart Andrew), now shadow Secretary of State for Health and Social Care. We wish him well in his new job. It is a great delight to hear from the hon. Member for Old Bexley and Sidcup (Mr French), but he is always so grumpy when he actually wants to say, “Well done.” I do not know about you, Madam Deputy Speaker, but I sometimes think of the Conservatives as the “all fur coat and nothing else” party, because they make nice statements but never actually do anything. It is fascinating to hear him say, “We have a concern about the remuneration of musicians.” Why did they do absolutely nothing on this subject when they were in government? It has taken a Labour Government to sit down with industry and creators to make sure that we delivered a change for people. The hon. Gentleman asks what happens if people fail to comply. I am absolutely confident that all the labels that we are talking about will want to adopt the principles, because they have been part of the negotiating process. We had to have tough conversations at various points, but they have signed up to the principles and will deliver on them. I am confident that if any legacy artist says to their label, “I want to renegotiate my contract,” they will have a chance to renegotiate, although the precise terms of that renegotiation will of course be a matter for the artist and the label. Some people who signed a contract before streaming came into existence might have been on a rate of something like 8%, 9%, 10% or 11%. They will be able to negotiate that up to a digital right more like 20%, 25% or 30%. That will make a significant difference to legacy artists. Many people have made the very strong point that it is all very well increasing the number of streams of a legacy artist’s work, but if they do not get any more money as a result, that will not really benefit either the record label or the legacy artist. I am very confident that this package will deliver. The hon. Gentleman asked about having a review in 18 months’ time. I can do better than that: as I have said, we will review this in 12 months’ time, because if the package has not delivered, we reserve the right to bring in legislation. I made this point several times. In the EU, there is an equitable renumeration clause in legislation, and if we felt the need for that, we could progress that. However, after our really good discussions with all the parties, I am very confident that all of them want to comply with this package. I will make one other point about songwriters. Lots of people know the famous names we all talk about—the hon. Gentleman referred to Ed Sheeran, Oasis and so on—but a lot of those who really deliver are the songwriters; they create the things that rattle around our brains for years and years. Making sure that they are not out of pocket was one of the really important principles I wanted to adopt. I am really proud that, for the first time, there will be per diems—£75 a day, plus expenses—to make sure that no songwriter is out of pocket. That is matched with the deal that the Ivors Academy is doing with Sony, for £100,000 a year. We have to invest in the songwriters of the future, so that we have the strong music industry we want for the future, but I am not impressed by his fur-coatery.