Contribution
My Lords, this is the first time I have spoken on this measure, because I had assumed that, after the Bill had gone to the House of Commons, it would accept the arguments that have been adduced in this place in the previous debates and realise that this is not only a wrong Bill but a very harmful one for the creative talents in our countries.
What I find particularly strange about it is that it is totally alien to the attitude taken by the Labour Party since 1900. In 1900, the trade unions and the early people—the Fabians—were totally in favour of supporting British culture. No one was more so, strangely enough, than Keir Hardie. One of my grandfathers knew Keir Hardie. My grandfather was the secretary of a trade union, and got the post because he was one of the few dock workers who could read and write. He became a friend of Keir Hardie, who often stayed with him when he came down to Newport. My grandfather persuaded Keir Hardie to realise that, if the lot of the working class was really to be improved, and they were able to enjoy the great culture of Britain, they first had to read and be easy in reading. That has been one of the main features of the Labour Party since 1900. The party has been prominent in that and takes great pride in it.
In 1936, when Allen Lane published the first Penguin—a paperback book that cost only sixpence—it was a revolution, and Clement Attlee recognised it as such. The cost of a hardbound book with a dust jacket was £1. How could a working man in 1936—when the average wage of a labourer was only £5 a week—afford a book costing £1? Clement Attlee realised that that was a real revolution and spoke out in favour of it, and when he became Prime Minister after the war the Arts Council was set up. In the first Labour Government, from 1964 to 1970, Jennie Lee became the first Minister for the Arts. Not only that but she trebled the amount of money that the Arts Council had and did much to promote the National Theatre—she laid the foundation stone of it.
So Labour has always in its history supported culture, British culture and creative people. This is directly against the tradition of Labour, and it should realise that. Where are the spokesmen on the Back Benches in this House or in the House of Commons who are getting up and supporting the Government? They do not exist, as far as I can see. Does anybody on the Labour Back Benches want to get up and support the Government? The noble Lord, Lord Cashman, is going to support the amendment—they should have the courage to follow him.
The Minister did not really talk about the damage that could be done to the creative talents of our country, but perhaps she could look at last week’s Times Literary Supplement, in which there are eight articles by British authors, all of whom are very worried by this. They fear that they are having their particular characteristics taken away and stolen for nothing, and they will not be able to earn a living. One of those writers is Katherine Rundell, a fellow of All Souls and a quite brilliant writer of children’s fantasy books. Another great writer, Ishiguro, has also attacked the Bill, as has Salman Rushdie, the most read English writer in the world. So where are the supporters for this proposal?
The Minister should stop listening to the large tech companies in America, many of which have existed for only four years, and listen to the great cultural experts in our country, who are celebrating a culture that extends over 1,000 years. That is what we should be proud of. The Government should realise that this is a wrong Bill and a disgraceful Bill, and I do not think that a wrong and disgraceful Bill should lie on our statute books.