Chris Bryant

Notwithstanding the hilarity, this is obviously a very important matter to a large number of people. For many people in the creative industry, it feels like a kind of apocalyptic moment—they think that their careers are disappearing in front of their faces. I fully recognise that. The moment that the Bill is out of the way, I and the two Departments I sit in—the Departments for Culture, Media and Sport and for Science, Innovation and Technology—would like to get people back in to work on two working parties. One would work on transparency and precisely what it looks like in granular detail—very high-level stuff does not really meet the moment. The second would work on technical standards and solutions that might deliver greater access to data for the AI companies, and on the ability for the creative industries to protect their works. I do have some sympathy with Lords amendment 49B. There is one element that I would like to explore, which has been raised by the hon. Member for Perth and Kinross-shire (Pete Wishart). It is one thing for Getty Images, for example, to go to court and protect its rights under the existing law, because it has deep pockets and can engage lawyers. It is quite a different matter for individual artists, who may want to promote their work by putting it on the internet and do not want it to disappear from the internet, but also do not want it to be scraped and turned into another version of their work created by AI.