Victoria Collins

Let me join others in expressing my gratitude for the work of many Members, especially in the other place—in particular, Baroness Owen and Baroness Kidron—but also across this House. There has been a great deal of cross-party work, including much constructive discussion on many elements of the Bill with the Minister. Today, though, I will refer specifically to Lords amendment 49B. I am lucky enough to represent a part of Hertfordshire that is woven into British creativity, from Graham Greene of Berkhamsted, whose masterpiece “Brighton Rock” shaped our cultural consciousness, to Eric Morecambe of Harpenden, whose partnership in Morecambe and Wise brought joy to millions, while the music of the Devines from Berkhamsted gets us up and dancing, and local artists such as Mary Casserley and Andrew Keenleyside paint our daily lives in ways that bring perspective, colour and joy in a way that only artists can achieve. Our landscapes in Ashridge and Aldbury have inspired film-makers from Disney to the producers of the Harry Potter films, and our pubs have been featured in films including “Bridget Jones”. Today, this creative legacy faces an unprecedented threat. The current situation is more than just alarming; it is threatening the essence of our national identity and our creative economy. We hear concerns about resources for protecting our creative sector, but those arguments miss a crucial point: our creative industries, combined, contribute £126 billion to our economy, employ 2.4 million people, and are growing significantly faster than the wider economy. The question is not whether we can afford to protect these industries, but whether we can afford not to. When we invest in enforcing copyright protections, we are also investing in safeguarding one of Britain’s greatest economic assets and our competitive advantage on the world stage. The transparency provisions in Lords amendment 49B are essential and proportionate. They apply proportionately to businesses of different sizes, while ensuring that our creative powerhouse can continue to thrive and, indeed, work hand in hand with technology. True leadership in AI means building on respect for creativity, not exploitation. Let me make it clear that this is not about resisting technology, but about recognising value and safeguarding innovation—and that brings me back home to Berkhamsted. In the heart of my constituency sits the British Film Institute National Archive, one of the largest and more significant film collections in the world, comprising over 275,000 titles and 20,000 silent films dating back to 1894. It is a living memory of our national story, told on screen. Would we allow anyone to walk into the BFI and take whatever they liked? Would we let them scan, copy and republish those works without permission or compensation? Of course not. So I ask the Minister, why would we allow the same thing to happen in the digital world? This is a defining moment. We can build an AI-powered future that respects and rewards creativity, or we can allow short-term interests to strip-mine the work of generations. The question before us today is simple: will we stand for a future when technology and creativity flourish together, or will we allow the foundations of our cultural life and economic prosperity to be hollowed out for short-term gain? I urge the Government to stand up for our creators, stand up for transparency, and stand up for the principle that, in the age of AI, human creativity still matters.