Sarah Olney

I was glad to add my name to new clauses 1 to 6, tabled by my hon. Friend the Member for Harpenden and Berkhamsted (Victoria Collins). I speak to new clause 1 on the age of data consent. Currently in the UK, the minimum age of digital consent—the age at which children can consent to having their data processed—is 13. The new clause would raise the minimum age for social media data processing to 16, meaning social media companies would not be able to process the data of children for their algorithms. I hope that that would allow children to enjoy many of the educational benefits and relevant services that social media can offer, as well as continuing to enjoy the freedoms of engaging with friends but without the risks of addictive algorithmic content. The mental health issues associated with social media use in young people, particularly children, should be treated as a public health crisis. The Government are missing a vital opportunity with this legislation to reform how social media is used by not including provisions around children’s online safety. The Bill offers an important opportunity to start the process of removing harmful social media mechanisms and, as such, I urge the Minister to support the new clause. New clauses 2 to 6 would ensure transparency in how AI systems are trained and give rights holders more control over the use of their works. Concerns about the impact of AI on the creative industries have been raised hundreds of times by my constituents and I have been raising those concerns in Parliament for years. In my Westminster Hall debate back in February 2023 on artificial intelligence and intellectual property rights, I raised my concerns about the bypassing of copyright laws in relation to AI and intellectual property with the former Conservative Government. However, the former Minister blamed the lack of the former Government’s action to introduce regulation for creatives, associated with the rise of AI, on the political turmoil in the Tory leadership at that time, and their neglectful attitude towards leadership was mirrored in their attitude towards introducing protection for creatives in this space. Their conclusion from my Westminster Hall debate was “not to legislate in periods of political turmoil”—[Official Report, 1 February 2023; Vol. 727, c. 163WH.] and the need for “more deep consultation”, which did not materialise. I think we can all be glad that the chaos of that Government is in the past. However, we are yet to see the introduction of thorough and robust copyright laws relating to artificial intelligence, which is fundamental to the success of the UK’s world-leading creative industries. I hope this Government will act upon that today by accepting the new clauses. I wish to reiterate the importance of these new clauses in ensuring that AI models are bound by existing copyright law, increasing data and identity transparency for crawlers and models, and empowering creators to take legal action against developers who fail to comply. The creative industry, like all sectors, will have to adapt to accommodate AI, but the industry is capable of and already making progress with that. Creatives have largely accepted that AI-generated content will have its place in the market, and they are already using AI to enhance their work by driving efficiencies and extending their reach to new markets. However, a solid regulatory framework, which could be created with the addition of these amendments, is essential to protect their rights and ensure that they can take part in value creation and retain control over their work. My colleagues and I believe that existing copyright law should be enforced to protect the UK’s creative industries, which are a world-leading British export.