Contribution
It is absolutely imperative that we strike the right balance. This is not about pitting one side against the other; it is about coexistence and mutual interdependence.
Will the Minister consider introducing a stronger framework for personality rights under the data Bill, as proposed by Equity and the wider creative sector, to improve protections against the illegal exploitation of artistic works by generative AI companies? Will he also explain why the position is still to bundle transparency in with copyright?
The stories are increasingly familiar: entire creations and careers are copied and remixed into data, while the original human creator and rights owner is left out of the conversation entirely. One visitor I met from big tech likened the training of an AI on copyrighted work to the use of a library, but that argument dries up when we remember that libraries pay for their books, and it wilfully ignores the scalability differences between machine learning and human inspiration. If a warehouse traded in stolen guitars or paintings, we would expect action, but in digital form online, theft is somehow not just tolerated but to be expected. The logic that the creative industry feels it is being asked to swallow is that because tech saw it, read it or heard it, it can have it, own it and resell it.
Copyright is not an obstacle but infrastructure—a cornerstone of the British economy. As we have heard from colleagues, it makes possible the £124 billion contribution to UK plc. We should not be weakening it with vague exceptions or opt-out regimes. The Berne convention, signed by more than 180 countries, makes it clear that creators must not have to exert their rights for them to exist, and they should not have to sue to keep them. This violation of international copyright norms will undermine international relations and investment in our country. It will see capital take flight and cause economic damage.
I would like to introduce a new thought to the Minister: please consider the relationship with managed risk and the freedom of expression in a regulated model that creativity needs and relies on. Creatives take risks, and express themselves freely. For growth, we need an economy of risk takers with the freedom to express without fear that they will be ripped off. Without the legal frameworks that protect copyright, risk will not be embraced and creativity will dry up or move away. That is why there is so little faith in an opt-out model, or a strategic direction placing the burden on individual creators to prevent their work from being taken by tech. A technical solution does not yet exist to make such opt-outs meaningful. As they emerge, the same concerns and questions will need answering.
Worldwide, there is no comparable territory where this matter is settled. No functioning rights reservation has emerged in the EU, and in the US, further litigation is rife. California, the home of silicon valley, has a carve out—they do not get high on their own supply. The Chancellor and the leadership of our Government are right to propose on the world stage that the UK is a safe and certain bet for investment, but being the UK branch for US tech demands will not deliver that. New growth must ensure net growth. Industrial-scale unregulated scraping is not innovation; it is infringement. It erodes the commercial certainty that serious investors need.
In the regulation space, we have exciting growth opportunities in the emerging AI licensing sector. They demonstrate that copyright is well understood, and that there are scalable possibilities for licensing and ethical AI here in the UK. The emergence of platforms such as Created by Humans, Narrativ, ProRata, Getty Images, Musiio, Adobe and We Are Human, and relationships between Sony Music and Vermillio, Universal Music and SoundLabs, Lionsgate and Runway, and news publishers and Microsoft all point to new licensing with a duty of candour. With these examples, will the Minister confirm if the Government are considering building new foundational models led and built by UK AI firms?
In conclusion, this rapid technological change demands that we confront the decisions in front of us as a creative powerhouse. In this defining moment, we must stand with those whose creativity shapes our culture, economy and shared human story. Algorithms may calculate, but it is the human creativity behind it all that pours heart, history, hope and the human into and out of every note, frame and story. AI cannot be allowed to redefine the soul of creation. If we erode the rights that protect our creators, we risk not only economic loss but strangulation of those voices that tell our stories, reflect our struggles and inspire our futures. Let us affirm that in Britain we value not just innovation but the irreplaceable human spirit behind creativity, and protect the rights that mean that we thrive, for now and for generations yet to imagine, to dream and to create.