Ms Polly Billington

It is an honour to serve under your chairmanship, Ms McVey. I first declare an interest: my wife is a professional photographer. People who create art in any form add value to the world. They inspire people, provoke ideas and push boundaries—and deserve to be fairly paid for it. In East Thanet alone, we have the famous names of J. M. W Turner, Vincent van Gogh, Charles Dickens, Wilkie Collins and Jane Austen—all inspired by that constituency, all having called it home. Current creatives who live there must be paid to be able to do the same. The image of an artist in a garret has become romanticised to the point that it is almost used as an excuse not to pay creatives properly. The Government are currently taking the Employment Rights Bill through its legislative stages and, once introduced, it will be genuinely transformative for people in low-paid and insecure work. Simultaneously, the Government are consulting on proposals that could actively take away rights and protections from creative workers. The right to have one’s work protected by copyright law is enshrined in British law. Copyright exists to protect not just the wealth of the individual but the wealth of the nation. It is fundamental to the success of innovators, entrepreneurs and creatives—and it is fundamental to our economy. The claim that AI and tech firms will take their business somewhere else if they do not have free access to people’s work is, quite frankly, extortion. We do not expect or allow other industries to do that, so why do we think it is acceptable to force creatives to accept this deal? I am not here to defend the status of our copyright laws—we are not starting from a high baseline in this country. Sadly, creatives are all too used to being ripped off and taken advantage of. The Government have acknowledged that our copyright regime is out of date, and I absolutely agree. However, it cannot be right that the answer is simply to make it harder for creatives—to make low-paid work even less rewarding and insecure work even more insecure. If we choose to modernise copyright law to increase protections for our national cultural wealth, we can turbo-charge the growth potential of this industry. Currently, we are on a path to undermine an industry that is already insecure. One of the staples of British values is fairness; if someone does a fair day’s work, they get a fair day’s pay. Not only is allowing creatives to have their protection eroded not fair, but it is simply not British. We ask for simple fairness, the right to permit or protect, and the right to be paid.