Lord Khan of Burnley (Lab)

My Lords, I thank the noble Lord, Lord Strathcarron, for bringing this amendment, which was eloquently put forward by the noble Lord, Lord Blencathra. It seeks to require a rerun of the process that took place in 2016 to identify the proposed design for the Holocaust memorial and learning centre, with the additional restriction that the outcome would be a figurative memorial and, perhaps, the implication that there would be no learning centre. It may be helpful if I remind the Grand Committee that the design of the Holocaust memorial and learning centre was chosen by a broad-based panel after an international competition that attracted 92 entrants. The shortlist of 10 design teams was described by Sir Peter Bazalgette, the then chair of the UK Holocaust Memorial Foundation, as “some of the best teams in architecture, art and design today”. Anish Kapoor, who was rightfully praised by the noble Lord, Lord Carlile, in our debate last week, was part of a design team alongside Zaha Hadid Architects, which submitted a powerful and striking design. Other well-known architects and designers who were shortlisted included Foster and Partners, Studio Libeskind and Rachel Whiteread. This was a competition that attracted designers of the very highest quality from across the world. After detailed consultation, in which shortlisted schemes toured the UK and a major consultation event for Holocaust survivors was held, a judging panel had the difficult task of choosing a winning team. The judging panel, chaired by Sir Peter Bazalgette, included the then Secretary of State, Sajid Javid; the Mayor of London; the Chief Rabbi; the chief executive of the Design Council; the director of the Serpentine Gallery; broadcaster Natasha Kaplinsky; and Holocaust survivor Ben Helfgott. Clearly, this was a serious panel of well-informed people with deep experience on matters of design, as well as on the significance of a Holocaust memorial. The panel unanimously chose the team consisting of Adjaye Associates, Ron Arad Architects and Gustafson Porter + Bowman as the winners. In announcing its decision, the panel referred to the sensitivity of the design both to the subject matter and to the surrounding landscape. Public exhibitions were then held to gather feedback on the winning design ahead of a planning application. As the law requires, further consultation took place on the planning application. More than 4,000 written representations were submitted. A six-week planning inquiry was held, in public, at which more than 50 interested parties spoke. All the details of the planning application, over 6,000 pages of information, all of which remains publicly accessible online, were closely scrutinised. Members of the design team, including the very talented young architect Asa Bruno, director at memorial designer Ron Arad Architects, who tragically died the following year, were cross-examined by learned counsel. There was, of course, a great deal of discussion at the planning inquiry about the proposed design of the Holocaust memorial, the learning centre and the associated changes to Victoria Tower Gardens. Many opponents of the scheme, including the noble Baroness, Lady Deech, took the opportunity to inform the inspector of their opinions on the proposed design. In his detailed report, the inspector sets out the spectrum of views on the design presented to him. Having heard the evidence of a very wide range of supporters and opponents, the inspector was then able to reach a balanced judgment. He recorded in his report his view that “the proposals comprise a design of exceptional quality and assurance”.