Alison Hume

I thank the Secretary of State for his reassurances. I know that creatives are worried because the scraping is happening now and will carry on until we have a solution. We must protect the creative industries. They grew by over a third between 2010 and 2023 in terms of gross value added, far outpacing growth in the UK economy as a whole. They are worth more to the economy than life sciences, car manufacturing, aerospace and the oil and gas sectors combined. They are a glorious British success story. They make us proud. They make us feel good. They shape the nation’s identity. They make us, well, us. They are represented in every corner of the UK, with 2.4 million workers, 70% of whom live outside London. They are writers, musicians, photographers, artists—all manner of wonderful creative folk, powering one of our greatest success stories and one of our best engines for growth. In my constituency of Scarborough and Whitby, I have been entreated by individual creatives and small and medium-sized enterprises to ask the Government to look after their rights and to protect their income. Recently, I proudly served on the Employment Rights Bill Committee—a Bill that will see the biggest improvements for working people in a generation. Creatives are working people, too. Creative work is work. The Secretary of State for Culture, Media and Sport has talked about her determination to take the brakes off the creative industries and turbocharge growth. If the creative industries are a fast car, the creative is the driver. Without us, it is the equivalent of a driverless car—fine, maybe, to get from A to B—but if we are to produce the kind of quality scripts behind the superb television dramas that entertain, comfort, inspire and, as recently shown in the case of “Mr Bates vs The Post Office”, effect meaningful change, we need a human being at the wheel. To have a human there, we need to ensure that they are paid for doing what they do best: being original. We should inspire the rest of the world to adopt high standards, lead from the front and amplify our influence on the global stage. Britain’s creative industries deserve a dynamic licensing market that protects copyright and drives growth and innovation in both the creative and tech sectors. I look forward to the outcome of the consultation on AI and copyright and to working with the Secretary of State and the Minister to find a future-proofed solution, which protects original work and the ability to earn an income from it. The Labour party was founded on the principle of a fair day’s wage for a fair day’s work. Being in government is our opportunity to fulfil that principle for UK creatives.