Contribution
That is a valuable point. Last year, Durham applied to be the city of culture but, unfortunately, came second to Bradford, which had a fabulous year as the city of culture. I wish my hon. Friend success with Bishop Auckland’s bid to be the town of culture.
Such events are the social glue that keep our rural and ex-mining communities resilient, yet today it can sometimes feel that culture in Durham is in retreat. We have been told that Lumiere, which transformed our streets into a world-class art and light installation, bringing millions into our economy, has turned off the lights for the last time. We have always been proud to say, “It started here. It started with us,” so losing it is a devastating blow to our prestige and our economy.
A few years ago, Rocking Horse rehearsal rooms was unceremoniously turfed out of its city centre location, as the landowner simply wanted to build some more industrial units. Even though the owner of Rocking Horse, Rich, has managed to relocate outside the city, there is now no dedicated recording space in the city of Durham for non-students. What am I supposed to say to bands such as Jam Tub when they tell me that the cost of equipment and space is prohibitive? There is also a huge lack of venues for new up-and-coming bands to perform in. To follow their dreams, they are often left with no choice but to leave the north-east.
Sadly, the new administration at Durham county council views culture through a lens of division. It has grandstanded over Durham Pride, claiming that it has saved money by cutting funding, while branding that key annual event, which brings thousands of people to the city, as “political street theatre”—I do not know about you, Ms Vaz, but I love a bit of street theatre. We cannot let the divisive views of other parties diminish the importance of such events to many people in our communities.
Pride is about dignity and equal rights, self-affirmation and an acceptance of ourselves and each other, as well as a shared remembrance of our struggles and victories achieved together. When events are made to feel like political targets by the council that should be their champion, our communities become less cohesive.
The north-east is populated by people with diverse histories. I think of migrants from Scotland and Ireland who came into the region to work in our shipyards, mines and steelworks, and, more recently, migrants from further afield working in our NHS. We should be embracing new cultures, with their food, music, language and dance, and new traditions. That is how we build community and inspire creativity. Grandstanding and division do not build a culture; they tear it down.
At the heart of the city, we have the astonishing Durham cathedral. It sits atop a stunning peninsula at the centre of the UNESCO world heritage site. We are rightly proud of that jewel in the north-east’s crown, but for a resident in Sherburn village or Willington, or someone further afield in Stanley, Crook or Newton Aycliffe, that grandeur can feel a world away if their local community hall is shut or the community group has run out of cash. Those are not simply things that would be nice for communities to have: if centres close or groups struggle for cash, where do we tell people to go for their music classes, art groups or dance classes?
Under the coalition Government, education reforms removed the arts as core subjects in the curriculum. The effects of that are clear: the north-east has the lowest entry rates for music and performing arts, and whole areas of the north-east have schools with no students at all applying for music. If young people cannot access art through schools, and their opportunities in the community are limited, where will that spark of inspiration come from that will produce our next generation of artists, performers, writers and musicians? The answer cannot be, “You can participate if you can afford it.” Cultural opportunities should never be left as a preserve of the rich.
I do not want to paint a picture of total decline. I recently heard from Dr Stephen Cronin, chair of the Durham fringe, which was launched in 2021 by volunteers and is now the north-east’s largest recognised fringe. By using alternative spaces, it ensures that creativity remains workable and rooted in the community. Stephen is putting together a fringe academy to give young people a chance to learn the trade of the arts.
Stephen’s message was clear: culture does not always need multimillion-pound capital grants for shiny buildings. We need to look beyond the usual suspects for funding, and grassroots groups like the fringe do the most with the least. They do not need cathedrals of glass and steel; they need consistent support to keep the lights on in the hall and to feed those shoots of creativity. They need a Government, a region, and a local authority that provide fertile soil—[Interruption.]