Baroness Taylor of Stevenage (Lab)

My Lords, I thank the noble Earl, Lord Clancarty, for Amendments 6 and 51, and the noble Baroness, Lady Prashar, for Amendment 10. These amendments seek to create a distinct area of competence for culture; and to enable a mayor to appoint a commissioner to this additional area of competence. As noble Lords will be aware, we had long discussions about this matter during the passage of the then Planning and Infrastructure Bill. When I was thinking about this, I thought I would have a look at what was going on in Hertfordshire, my own county, which calls itself the Hollywood of the UK. That might be disputed territory, but that is what it calls itself. When you look at the economic impact in Hertfordshire, there was film and TV investment of £3.7 billion, and 4,000 direct jobs, but 7,000 to 19,000 jobs if you include supply chain and freelance workers. There were major new investments, such as Sunset Studios in Broxbourne, which brought £300 million a year into the local economy; Sky Studios Elstree has an estimated value of over £3 billion over the first five years; and then there are Warner Brothers, Elstree Studios, and all the rest. I know that is the economic dimension of this, but the whole ecosystem starts with local arts and grass-roots infrastructure, skills and training, and inspiring a new generation of creatives to go into the industry. Mayors and strategic authorities can, and already do, play a very important role in these areas. That is precisely why the Bill’s existing areas of competence have been framed as they have. They are deliberately broad, enabling a wide range of activity to fall within scope, including cultural, creative and heritage activity. I thank the noble Baroness, Lady Prashar, for correctly highlighting the power of these activities to tackle some of the divisions we are seeing in society; they play a very powerful role in that respect. My noble friend Lady Griffin highlighted the importance of skills enabling the culture industries to thrive, which illustrates the cross-cutting nature of the competences because skills in the creative industries and elsewhere are included in the competences as we see them. For example, Clause 41 extends a broad power to strategic authorities to encourage and promote visitors to their area. That power sits under the “Economic development and regeneration” heading. This demonstrates how these activities are intended to be captured without the need to list them in a separate policy area. Indeed, many authorities already fund and support culture and heritage initiatives using their existing powers. The noble Viscount, Lord Colville, made a point about the West Midlands and Birmingham. As we have already had north-west and Yorkshire examples, I will use the example of the West Midlands Combined Authority, which invested £4.1 million into arts and culture projects as part of the legacy funding following the 2022 Birmingham Commonwealth Games. However, I take the noble Viscount’s point that for local authorities this has been a very difficult time when they are faced with the difficult choice between whether they fund the adult care services and the children’s services or arts services. That is why this Government have started to work on the fair funding of local government so that we can get local government’s confidence back that there is the possibility to invest. The provisional 2026-27 settlement will make available £78 billion in core spending power for local authorities in England. That is a 5.7% cash-terms increase compared with 2025-26. By the end of the multi-year period, we will have provided a 15.1% cash-terms increase, worth over £11 billion, compared with 2025-26. The reforms ensure that this funding is allocated fairly and that the places and services that need it most are supported. It is for services such as adult care and children’s services, but it will also ensure all areas are able to deliver at the kinds of cultural services that we have been talking about. In my own area, I hung on to the Gordon Craig Theatre in Stevenage. In spite of successive cuts in funding, we recognised its value to our community, not only in terms of our strong cultural life but to skills and our economy. It is what the noble Lord, Lord Bassam, called recognising the long-term strategic benefit of what that brought to our community. While I am talking about specific places, the noble Lord, Lord Wallace, mentioned Bradford, and I congratulate Bradford on its fantastic year as City of Culture. It has done an amazing job, and we look forward to that continuing in Bradford and elsewhere around the country. On commissioners, I note that they are an optional appointment for mayors to support delivery in a specific area of competence. Mayors are able to shape the exact brief of the role, and it would therefore be reasonable, for instance, for a commissioner focused on economic development and regeneration to also lead on a strategy focused on culture and the creative industries. However, I note the concerns of all noble Lords who have spoken, particularly the noble Earl, Lord Clancarty, who is a great champion in this area, and the noble Baroness, Lady Prashar. I would be very happy to meet them and discuss this further before we get to Report. I hope that with these reassurances, the noble Earl feels able to withdraw his amendment.