Luke Murphy

I beg to move, That this House has considered the cultural contribution of Jane Austen. It is a delight to serve under your chairship, Mr Efford. I am really grateful to have been granted this opportunity to recognise and celebrate the legacy of one of our nation’s greatest authors, if not the greatest: Jane Austen. Many may be asking why I am the one here speaking about Jane Austen. I have been a fan, of course, of both the 1995 and 2005 adaptations of “Pride and Prejudice”; I thoroughly enjoyed the recent BBC drama “Miss Austen”, which looked at Jane Austen’s life through the eyes of her sister; I have been on a fantastic Jane Austen tour, led by my brilliant constituent, Phil Howe, who is in the Public Gallery; and I have enjoyed many of Austen’s novels over the years. I am not, however, speaking just as a fan. The truth is that although half the country like to claim her, she will always be, first and foremost, a Steventon girl. Born in Steventon in my constituency of Basingstoke, she spent her first 25 years there, where she drafted “Sense and Sensibility”, “Pride and Prejudice” and “Northanger Abbey”. I am proud to be here to commemorate her impact on our town, as well as on the country and around the world. Throughout Austen’s work, the influence of her upbringing in Steventon is unmistakable. Her father served as the rector, and she spent her formative years deeply rooted in the small community there, observing the congregations that passed through the church and the daily life of the village around her. Many of the social and class dynamics that animate her novels are thought to be shaped by her early experiences watching, as one scholar, Brian Southam put it, “the world—of the minor landed gentry and the country clergy”— as they navigated their relationships with both working-class neighbours and the area’s aristocracy. Dancing also played a central role in Austen’s novels, and that influence can be traced directly back to her years in Basingstoke. She attended lively assemblies at Worting House and at the Old Town Hall, which became the Lloyds bank at the top of town, where she also shopped for materials to make her dresses. That same bustling area was where her father purchased her now famous sloped writing desk from Ring Brothers, the furnishers on Church Street. Austen used that desk throughout her life, drafting the works that would become beloved around the world. Its origins in Basingstoke highlight just how deeply the town shaped both her experiences and her writing. The quintessential English countryside, which frames so much of Austen’s storytelling, owes much to landscape of north Hampshire—its rolling hills, quiet lanes and natural beauty still recognisable to us today.