Contribution
My Lords, I support Amendment 16 in the name of my noble friend Lord Strathcarron. I, too, am greatly in favour of a new Holocaust memorial in London—we all are—but the proposed memorial, designed by the discredited architect David Adjaye, is totally inappropriate. The noble Baroness, Lady Deech, delivered, in her inimitable way, a brilliant analysis of the once-fashionable David Adjaye. As the former chairman of Arts Council England, London, I would like to make a few observations.
Since 2015, I have taken an interest in the process to select a design and location for the Holocaust memorial. It was clear early on that this proposal would run into trouble, as indeed it has. A long process involving an international competition with 92 entries from all over the world by no means guarantees a good outcome. The then new Mayor of London, Sadiq Khan, announced in October 2017 that the memorial’s location next to the Houses of Parliament was,
“designed to ask questions about the role of society and its institutions in preventing hatred”.
A noble aim, I am sure, but it was also clear that we were heading for trouble because of the highly contentious issue of including other genocides, which has been hotly debated today. Surely the purposes of the project are to commemorate the victims of the Holocaust and to provide an educational learning centre about the Nazi’s genocide of the Jews. Can the Minister clarify once again why and when other genocides were added to the memorial’s purpose?
Then we come to the design of the memorial. Call it what you will—a giant toast-rack or a ribcage—but it is the wrong design. It is a recycled, previously rejected design in the wrong place. Members of the design jury, a number of whom I know quite well, might normally be considered sensible and sensitive. However, there is nothing sensible and sensitive about the Adjaye design with its disproportionate scale. UNESCO has declared that it will compromise a world heritage site.
In the design, I am influenced by the dignity of memorials that I have seen across Europe and America while travelling with my husband, whose grandfather died in Auschwitz. The design of the memorial in Berlin, for example, is inspired and inspiring. It is very sombre; the slabs of grey concrete tell a powerful story. It is a place of understanding and contemplation. I remember that, on the day that I visited, drops of rain fell, like tears, on the grey slabs. It was a memorable and deeply moving experience.
The memorial proposed for London, however, is overbearing, with its showy 23 looming bronze fins. Why 23? The explanation will be puzzling to almost everyone who sees it, as my noble friend Lord Blencathra said. Did the design jury actually visit the site? They would surely have seen how the chosen design would dwarf the other memorials in Victoria Tower Gardens, in particular the important memorial to Sir Thomas Fowell Buxton in recognition of his work to abolish slavery. The design by the Victorian architect Samuel Sanders Teulon and Buxton’s own son, Charles, is quite delicate and modest, as Buxton himself was.
My ancestor Sir John Bowring, MP for Bolton, was a colleague and contemporary of Sir Thomas. Bowring was a strong opponent of slavery, being an early member of the Anti-Slavery Society founded in 1823. An economist, Unitarian and polyglot, I can only imagine what Sir John’s view would have been of the giant toast-rack. My half-brother is a Buxton, and I share his family’s disappointment that those remembered for campaigning against slavery will be minimised by this thoroughly inappropriate Holocaust memorial.
It is not just residents, disparagingly described in the past as self-interested, who are opposed to this memorial. Jewish people are not universally at one with the Chief Rabbi who supports it. I am not Jewish, but I know that a great many members of the Jewish community, including the remarkable Holocaust survivor Anita Lasker-Wallfisch—mentioned by the noble Baroness, Lady Deech—are opposed to it. This memorial really is the wrong design in the wrong place.