Lord Strathcarron (Con)

My Lords, I, too, rise to speak to this amendment, not so much to comment on the design, although I find it meaningless, unimaginative and repetitive, but to comment on the designer, his tainted reputation and the effect that this will have on not just the public and media perception of the whole project but, more importantly, on Holocaust survivors and their relatives, who this memorial is designed to honour. When this project was announced by the promoter, it claimed with great pride and numerous times the involvement of Sir David Adjaye, even calling him a “starchitect”. Since then, Adjaye has faced some seriously unpleasant sexual allegations. The noble Baroness, Lady Deech, outlined many of them, so I will miss the next section of my notes, which goes into considerable detail, as the noble Baroness did, on all of this. As a result of these scandals, Adjaye felt that it was best for him to resign from his role as architectural adviser to the Mayor of London. He has also removed himself from involvement in the Holocaust memorial that we are now discussing. However, without a doubt, the memorial is now and will for ever be tainted by Adjaye Associates continuing as the designated lead architect. In spite of the promoter’s recent efforts to downplay his involvement, all of the plans and documentation, including the promoter’s documentation, to this day feature the name of Adjaye Associates. To prove the point, this morning, I Googled: “Who designed London’s new Holocaust memorial?” Straightaway, the answer “Adjaye Associates” came up, with no mention of the substitutes which the promoter is now promoting in his stead. Meanwhile, elsewhere in the world, not wishing to bring shame by association on to their projects, the Africa Institute in Sharjah cancelled his major new campus project. His practice was also dropped from the £57 million project for Liverpool’s International Slavery Museum. Quite why we are persisting with his design when other prestigious projects have seen the light and when his association with the project can only bring it into disrepute remains a complete mystery. In view of that and of the widespread dislike of the design, as per my amendment, would now not be a good time to invite fresh and more imaginative designs in keeping with the Holocaust and Victoria Tower Gardens from firms not associated with sexually inappropriate shame and scandal and from firms that will bring honour, not dishonour, to the memorial centre?