Lord Bassam of Brighton (Lab)

My Lords, I will speak to my Amendment 28A. The Bill usefully sets out that regulations in relation to ticket touting will be brought in for sporting events. But a number of organisations, including UK Music, are understandably asking the Government to completely fulfil their manifesto commitment. In this sense, I am coming to the issue from a similar place to the noble Lord, Lord Moynihan, although I disagree with his remedy. It is right that we should do this because we need to end exploitative ticket touting across all types of events. The noble Lord, Lord Moynihan, and I have been on the same side on this for many years. Like many on these Benches, I am delighted at the progress that has been made on ticket touting for sports events, but I am puzzled about the wait for legislation covering music and other events. What makes it more puzzling is that music and sports events often take place in the same venues. This week, my wife will go to listen to Harry Styles; a few weeks ago, I could have gone to the same Wembley venue to watch the cup final. So I am sure that the Minister will understand why there is a measure of disappointment, particularly among music fans, event organisers and performers, none of whom derive any benefit from the current situation. According to YouGov research commissioned by O2, online ticket touts are costing UK music fans at least £145 million a year. For some time, UK Music has been calling for legislation that includes a resale price cap to prohibit someone from reselling a ticket for more than the original ticket value, service fee limits to ensure that price caps cannot be undermined by inflated fees or hidden charges placed on consumers, and volume limits to make it unlawful to buy more tickets for an event than one individual is permitted to buy on the primary market. Taken together, those measures would create transparency for ticket purchasers and create a more level playing field for consumers. My amendment 28A would simply require the Secretary of State to review the ticket touting provisions in Clauses 5 and 6 within 12 months of the Act coming into force and report to Parliament on their effectiveness. This review would provide an important opportunity to assess whether similar protections should be extended to the music sector and music events. I am conscious that a draft Bill is to be published in this Session, but I am also conscious that these things have a habit of slipping and falling foul of other priorities. We have yet to see the terms of the wider legislation, so can we better understand why sport has come forward first, and what makes the challenges of policing this area different or more complex for music? Music fans face many of the same challenges as sports fans: tickets being acquired in bulk and resold at inflated prices, and genuine fans being priced out of events. The draft Bill, announced in the King’s Speech, means that music fans will continue to face inflated resale prices and unfair ticketing practices while they wait for reform. If the ticket touting provisions prove effective in the sporting context, the review should urgently consider whether comparable measures should be applied to music events, ensuring greater fairness and consumer confidence in protections. I have tabled this amendment to try to achieve a speedier route to having equity across all sporting, cultural and music events, because those who support those events—music fans, sports fans, or whatever—deserve that equality of consideration.