Dr Rupa Huq

I certainly agree with that, and one of the provisions in my excellent Bill is on transparency. People should know what they are getting into. Touting does not just apply to music. Football, theatre, and all sorts of other things are becoming subject to these processes. In July, Which? found that tickets for Lewis Capaldi’s current run at the O2 in London were on resale sites for £1,400, when they were originally priced between £32 and £111. A ticket for the All Points East festival with Raye was even on sale for £114,666 on viagogo—the original price was only meant to be £80. We are used to such surge, gouge and dynamic pricing—where there is variability and prices fluctuate—with planes, trains, Uber and Amazon, but it is creeping into all our lives. It is made easier with data mining, because that algorithmic calculation can factor in demand, willingness to pay and availability. Oasis clam that it was not surge pricing with them, but tiered pricing: there were different levels of ticket, which is why, by the time people were at the front of the queue, the £100 tickets had gone, and the tickets remaining cost £300. The array of different ticket types—premium; standing—can be a bit confusing.